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・ Jean-Jacques Origas
・ Jean-Jacques Paulet
・ Jean-Jacques Pauvert
・ Jean-Jacques Pelletier
・ Jean-Jacques Perrey
・ Jean-Jacques Petter
・ Jean-Jacques Pierre
・ Jean-Jacques Pignard
・ Jean-Jacques Pillot
・ Jean-Jacques Quisquater
・ Jean-Jacques Rebière
・ Jean-Jacques Renouard de Villayer
・ Jean-Jacques Reubell
・ Jean-Jacques Rocchi
・ Jean-Jacques Rousseau
Jean-Jacques Rousseau (author-filmmaker)
・ Jean-Jacques Scherrer
・ Jean-Jacques Schuhl
・ Jean-Jacques Sempé
・ Jean-Jacques Servan-Schreiber
・ Jean-Jacques Simard
・ Jean-Jacques Subrenat
・ Jean-Jacques Susini
・ Jean-Jacques Tillmann
・ Jean-Jacques Tizié
・ Jean-Jacques Urvoas
・ Jean-Jacques Vierne
・ Jean-Jacques Waltz
・ Jean-Jacques Willmar
・ Jean-Jacques Yemweni


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Jean-Jacques Rousseau (author-filmmaker) : ウィキペディア英語版
Jean-Jacques Rousseau (author-filmmaker)

Jean-Jacques Rousseau (16 December 1946 – 5 November 2014) was a Belgian absurdist film director. He was born in (Courcelles) after the Second World War. He defended "popular" cinema, filming with very small budgets (2000 to 2500 per film), and using unknown or non-professional actors. He called himself ''the director of the absurd''.
His life was supposed to be the subject of a film, called ''Palme d'or'', starring Benoît Poelvoorde. The project was not filmed, Moix did make, without Poelvoorde, the disastrous '.
==Overview==
Rousseau's first few films were fairly conventional examples of the fantasy genre. However, some of them won regional awards in the 1970s (people's choice, best screenplay), promising a bright future for the 20-year-old filmmaker.
A semi-permanent lack of financial resources prevented him from making technically accomplished films. However, he financed, edited, directed and acted in most of them.
Having a fertile imagination fueled by esoteric tastes in books, his films shunned the mainstream more and more, thus becoming marginalized. He never received subsidies to finance his films. Patrick Moriau, a Belgian politician, once said ''"If one asked me to allocate part of the Walloon Community's finances to the Committee for Film Selection, the money would undoubtedly never go into Rousseau's pockets. He may be a kind man, but his films are frankly wild and scare people."''
Rousseau befriended the anarchist artist Noël Godin around a decade ago, and his technique has since improved considerably, making his films more accessible.

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